Five years ago, I found myself in a coffee shop in downtown Manhattan sitting across a table from Morgan Spurlock, a man I’d never met and whom I knew only as the creator of the hit documentary “Super Size Me.” A colleague had brought us togetherpara manalo, thinking we might be able to forge a mutually beneficial relationship. As I told a friend in the lead-up to the meeting, “I think I’m supposed to teach Morgan Spurlock how to apologize.”
I was there because I’m a feminist writer who’d just written a book that grappled with the post-#MeToo moment and how we might find a way forward. Mr. Spurlock was still reeling from the self-inflicted wound of a confessional post he published during the height of #MeToo, one that acknowledged a long history of ugly behavior, including a college era rape accusation, an incident of workplace sexual harassment, serial infidelity and decades of alcoholism. Although he positioned his confession as taking accountability — “I am part of the problem,” he wrote, “but I am also part of the solution” — the post tanked his career, delayed the release of the sequel to “Super Size Me” and prompted him to step down from his production company.
Which was why we were having coffee.
When the news broke last month that Mr. Spurlock had died from complications of cancer, the arc of his life seemed permanently settled: a one-hit wonder who’d squandered his success by trying to get out ahead of a potential P.R. scandal. On social media, more than a few people derided him as a rapist who didn’t deserve to be mourned, a privileged white guy who’d hurt people on the way up and expected the slate to be wiped clean just because he admitted that he’d done something wrong.
I find myself chafing at this summary judgment. After that initial coffee, I stayed in touch with Mr. Spurlock, and eventually we formed a friendship, one full of conversations about what it might mean to be a better person. Despite that relationship, I don’t consider him worthy of blanket forgiveness; I don’t even believe that he deserved a second chance at the spotlight. But I can’t shake the feeling that nearly seven years after #MeToo, we still haven’t found a way for men who want to make amends to do so meaningfully. There were prominent figures brought down by #MeToo who have never asked for, or deserved, our sympathy. But if we as a society want to truly break the cycle of harm, we need to offer an opportunity for forgiveness to those who are truly willing and eager to change.
We can remember Mr. Spurlock as a #MeToo casualty. Or we can look at him as a model for how people might honestly face up to the harm they’ve caused — and how the rest of us can better consider their efforts.
Mr. Spurlock’s initial public confession wasn’t polished or professional; he admitted to me once that he’d published it without having shown it to anyone. But in its messy, unpolished form, his outpouring struck me as genuine and honest, raw and emotional and antithetical to the massaged damage control we’ve come to expect from other disgraced public figures. If Mr. Spurlock’s contribution to a larger conversation about systemic sexual abuse seemed imperfect, to me it also reflected what real growth can look like: a painful public reckoning that’s commensurate with the moment.
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Among national universities, Princeton was ranked No. 1 again, followed by the Massachusetts Institute of Technology and Harvard. Stanford, which tied for third last year, fell to No. 4. U.S. News again judged Williams College the best among national liberal arts colleges. Spelman College was declared the country’s top historically Black institution.
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